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chapter XIX
along with all the woodcuts used to decorate this treatise on zoological symbolism related to Christ with 1
In this work
jusqu’à sa destruction par Rome
or ritual encounter celebrated figures
Global(e) Resistance. Rome chapter XIXAiming to examine the plurality of contemporary forms of resistance, the exhibition presents a majority of artists linked to the African continent, the Middle East and Asia, or more broadly living in situations of oppression or inequality. The project gives significant space to political protest at a time of the disappearance of the colonial world and the collapse of the communist world, drawing parallels between individual narratives, forms of
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