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devoid of any intention of synthesis and reflecting the search for the clearest
et contient des contributions critiques qui analysent la recherche artistique d’Emanuele Scorcelletti
"Was it the exploits of Aeneas that captivated the ancient and modern readers of the poem
Ce livre se veut l’archéologie d’un mépris
Irving Penn
Passion Renaissance: Légendes d'artistes au XIXe siècle. Théories de l’art devoid of any intention ofThe beginning of the 19th century saw the development of a significant artistic literature. Numerous works were published, disseminating biographies of the great masters of the past, and especially of the Renaissance. The lives of Leonardo, Raphael, and Michelangeloto name only the main onesthus provided ample subjects to depict, whether real events or anecdotes fabricated from scratch by biographers, led by Giorgio Vasari. The "Passion Renaissance"