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le chantre et l’interprète des idéaux les plus élevés de l’âge de l’Humanisme et de la première Renaissance italienne Anna Maria Maetzke
he meant when he wrote that: "No one before Survage had been able to put an entire city with the interiors of its houses in a single canvas
Guides to the Copenhagen National Museum
Greco-Roman mythology
L’architecture de l’atelier est caractérisée par un bâti léger
L'intégrité du corps en question. Perceptions et représentations de l’atteinte physique dans la Rome antique. Sculpture le chantre et l’interprète desWhile the presence of disability in history may seem unchanging, the same cannot be said for its perception. This book, combining both a historical and an anthropological approach, based on a broad review of literary and archaeological documentation, examines the perceptions and representations of bodily impairment from the 1st century BC to the 4th century AD, and their evolution. The aim is to depict how the people concerned were considered and
